In the Cirque of the Snow Lakes

Charles Fritz’s paintings are an honest approach to the world around him, depicting the landscape, life and history of the Rocky Mountain region. In explaining his style, he describes himself as an outdoor artist, preferring to paint on location, a strennous and time-honored approach to the changing moods of nature. He has traveled extensively in the United States and Europe studying the paintings and working techniques of artists whose work he admires.

Working in the tradition of such groups as the California Impressionists, the Pennsylvania School, the Russian Itinerants, and the great Western artists and illustrators of the first half of the twentieth century, he defines himself as a Wetern representational painter. His paintings, noted for their accuracy, are the product of comprehensive research. Subject matter, composition, design, technique, and surface texture are all areas of particular interest for Fritz.